#RPGaDay 12

If you are not familiar with #RPGaDay, then please read this page first. For the 12th day of #RPGaDay the question is:

Which RPG has the most inspiring interior art?

My tweeted answer is: #RPGaDay 12 #RPG, #Aberrant #Trinity #Adventure due to the wonderful IC pages.

I had so many initial thoughts about this question, and sadly despite the list of honourable shout-outs I have provided, I know I am missing off to many noteworthy games. Many old games came to mind, in part because they had been part of my formative RPing years. Whether staring at the old Monster Manuals for AD&D 1st ed over and over again, or the Warhammer artwork emphasising the dark setting. When I started playing Cyberpunk, the artwork helped to differentiate itself from the fantasy games I had previously played; a game with both style and substance 😉

Cyberpunk Interior artI considered Tales from the Loop, which was built upon a wonderful collection of art. This is also a great example of how modern RPGs can have amazing artwork, and how we can keep being surprised.

L5R is one of my favourite games, in part due to its incredible artwork; I tend to buy all the books for a game I like, but at least that means more artwork. Given the game’s emphasis on culture, and how important appearance is in that setting, with so many pieces of art showing character interaction and attire, it was quite easy to show players an example to help inspire them.

I nearly choose Changeling: The Dreaming, I adore that game; I wrote about one of my Changeling campaigns for Day 7. I shouldn’t really single out any of the classic World of Darkness (cWoD) games, as a whole the interior art was diverse and gripping; the walls of my old flats were covered in mostly WoD artwork. The artwork for Wraith really helped to inspire that game’s setting and mood, although I know a few players that were too disturbed by that game to even try it. Changeling’s lovely artwork helped to make that game stand out, and with the diverse races (kith) the pictures felt like a nod at the older games like D&D, whilst being noticeable different to them.

Changeling Interior ArtA special shout-out to Palladium’s: Ninjas & Superspies and Mystic China; whilst I am it, also for Nightbane. Like so many of Palladium books, there is a good mix of artwork. In a hobby dominated by fantasy, then Sci Fi, and then probably Supers, I really appreciated any martial arts artwork.

Although Street Fighter is a big IP, and thus it’s a bit unfair to compare it to non-major-IP games, as I mentioned on Day 5, the artwork was very inspiring. Overall the artwork was vibrant and fitted the style of the game. I’ll admit that anything martial arts related gets a bonus from me, but I really love that game for taking a beat’em up and turning in to something special.

As mentioned above, I finally settled on the books for the Trinity Universe, and in particular Aberrant. Having so many In Character (IC) pages really helped to get the setting across. They were easy to show new players, especially the pages that were comics. Thus the interior art was more than just artwork, they were IC game props. Although the old White Wolf company had done this sort of thing before with the cWoD books, it was taken to a new level with books for the Trinity Universe. Between the timeline, the IC news articles, interviews, wrestling shows, and profiles, the whole collection was both inspiring and highly informative.

Aberrant Interior ArtAs I mentioned yesterday, Onyx Path Publishing are working on rebooting this setting as the Trinity Continuum. Clearly with such a rich heritage to build upon, and the great work and experience of Onyx, Trinity Continuum is obviously going to be amazing. I’d only be surprised if the game was less than stunning to look at. Check out the Trinity Continuum pages.

#RPGaDay 02

If you are not familiar with #RPGaDay, then please read this page first.

For the 2nd day of #RPGaDay the question is:

What is an RPG you would like to see published?

The easy but silly answer is: my own work. Since I still have a lot of work to do, including programming, I feel that answer would be too pitiful. So I started pondering one of the many currently existing intellectual properties (IP).

Since there are so many IP possibilities I decided to read a few tweets, to check out the answers other people were giving. I was not worried about choosing a right or wrong answer for such a subjective query, I was just intrigued. Plus it’s not a case of A or B, after all many of the suggestions could become a fully licensed published RPG.

Given the multitude of game systems, I am not fussed about a setting needing its own dedicated system. Whilst I very much appreciate the influence of a system on its game, like any veteran group, house rules and preference are always the deciding factor. Personally I’d be inclined to use GURPS or Storyteller for most things, especially GURPS since it has a rich history of IP tie-ins.

I nearly went with Joe Abercrombie’s series The First Law. If you are not familiar then think a grim setting with rare but powerful magic, a bit like Conan at times, but with the politics and character depth more like Game of Thrones. Avoiding spoilers, the build up to some epic deadly magic was impressive, and the impact on characters was impressive! Characters merely armed with a determined fatalism and a simple weapon affecting major plots. Maybe base a campaign around tracking down rare magic to achieve some epic plan, which of course will likely kill them. Definitely check the books out, even if ‘dark grim’ is not a setting you are normally in to. I am currently running an epic level magic setting, hence me thinking of something different.

The Culture series is a science fiction series written by Iain M. Banks.

The Culture is a utopian, post-scarcity space communist society of humanoids, aliens, and very advanced artificial intelligence.

The setting has so much scope, from covert missions on primitive worlds, to galactic scale wars using dimensional weapons. It is probably the only alternate universe I’d like to live in. This morning I read a Goodreads by Charles Stross giving this response about living in a fictional setting. Stross’s wonderful Laundry Files series is definitely something to read, but not to live in; the Laundry Files already has RPG books.

Other cool settings I’d like are: a Stephen King-Verse, Mass Effect, Dirk Gently’s Holistic Detective Agency, etc. I would smile at seeing anyone of those games published, but I would be most impressed if the setting of Harry Potter was announced! So in the end I tweeted:

Since the Potterverse is one of the biggest book series of all time, an RPG would have the incredible potential to hook a massive amount of role-players, a gateway-RPG. Whilst I doubt it would dwarf D&D, I wouldn’t be surprised if within a few years it was the 2nd biggest RPG.

Trying to hook non-role-players has been attempted before, I don’t know of any that has the potential of a Potterverse. Even if 1% of 1% give it a try, that’s a lot of new RPers! An honourable mention of the old White Wolf idea attempt by releasing Street Fighter to hook video gamers. Street Fighter was a gloriously strange entity, in comparison Potterverse would be easy to adapt, and very easy to market. I’ve written about Street Fighter RPG here.

From the same Twitter link as above, a Rick and Morty RPG would be great. GURPS Casey & Andy exists. Rick and Morty is certainly a big deal, and fits the GURPS multi-world settings.

Some more #RPGaDay suggestions at Enworld

 

Your RPG is Yours, Not Mine

As I started writing about the two role-playing campaigns that helped me get a job as a Games Master (GM), I realised that some readers might take exception to me claiming I ran a complete, or united, World of Darkness games. The old World of Darkness was not designed to fit neatly together, and for years crossover rules were non-existent. I don’t recall when the first official guide was released, possibly The Chaos Factor in 1993; it could be argued a guide was needed since Samuel Haight had caught the attention of so many different supernatural types. I don’t count the 1993 release of Under a Blood Red Moon, as it was Vampire and Werewolf focused. These guides were quite lacking, being more suggestions of things to think about, but at least it was something. I found my own path in fitting things together, and things worked well enough for me in some complex games.

With Paradox Interactive’s purchase of White Wolf IP, the World of Darkness (WoD) labels have been changed. The old(oWoD) is now called classic (cWoD), and the new(nWoD) from 2004 is now called Chronicles of Darkness (CofD).

My article’s title is to emphasise that I do not claim to represent the ‘only way to play the World of Darkness’, nor how crossover rules have-to-be done.  To some readers it may feel redundant for me to clarify my reasoning, but from personal experience I’ve met enough players that fixate on this, as well as reading numerous posts on the Net, to really impress upon me that a clarification is important for many gamers. Although this issue particularly applies to the cWoD, it also applies to every other RPG when we get past the gaming group level.

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I have had a lot of experience with this topic, whether locally, at game conventions, or Live Action Role-Play(LARP), so I appreciate why it is an important subject for a lot of role-players. In my late teenage years I changed my phrasing to emphasise “I prefer”, or “in my games, I feel”, since I appreciated that it was a subjective topic, never mind that some people want to win the chat. Add to this that it’s all too easy to end up talking at cross-purposes as people fail to mention they are not emphasising an interpretation, but they have ventured in to house-rules, or changes to the setting; it’s understandable if you consider how over time it is easy to forget the list of tweaks carried out. I am reminded of common role-play encounters, which I’ll write about and link here later.

Obviously people having different opinions should not be a surprise, since it happens with practically everything. Crucially the old White Wolf company repeated the point that each game belonged to the players playing the game in each of the core rulebooks, as well as elsewhere. This covered everything, whether it was an opinion about the mechanics to the game’s setting, covering everything from cosmology to theme emphasis. So it could be argued, that between the game lines being designed without a focus on connectedness, and the rules promoted debates because of The Golden Rule:

“This game should be whatever you need it to be…”

I appreciate the Golden Rule is abhorrent to some role-players, but that is too big a topic for this post. I go in to detail on this topic in my role-playing guide.

I do appreciate why standardisation matters, and I am all for it for specific situations, since talking at cross purposes is a time sink and can balloon up in to bad blood. It can be bad enough when a new player joins a group, but this is a much bigger problem when at conventions, or large LARP. Years ago I used to play continuing convention campaigns like the Dungeons & Dragons Living Greyhawk, D&D Sarbrenar (Forgotten Realms) and later Living Force (Star Wars). Roughly: you played the same character at each game, earning XP, being part of loose collection of connected stories with other PCs that over the years you may play with on multiple occasions.  Those games were quite accessible, in large part towards having an emphasis on clear rules interpretations. There were a lot of players that had been playing together for years, and overall I found there were a friendly community; the opposite of the anti-social label role-players are often labelled. Directly related to the point of this blog is that at conventions I found players only really cared about games they are involved in, they are rarely interested (if ever) in the anecdotes of another random player.

There has already been plenty of debate about how the new One World of Darkness could work, as well as how some people think it should work. Since very little is known, it is understandable that people are passionately debating. After all so many players already have invested years in to the official three different versions: old, new, Monte Cook’s WoD. Also we should keep in mind the experience of so many WoD LARPers, they have been a major part of the WoD scene going back to Mind’s Eye Theatre in 1993; an important point when you consider Martin Ericson’s LARP passion and experience.

Returning to the article’s title, no matter what happens with the oWoD make it ‘Your World of Darkness (yWoD)’. Personally I am not worried about the future of the World of Darkness, and whilst I am somewhat impatient to get specific information about the One World of Darkness (WoD), I am not panicking.

ywod

Humanity has been repeating and altering stories since the dawn of civilisation, from simple tales to epic myths. In addition to retelling the ancient classics, consider the countless versions of Shakespeare’s work alone, or the comics-industry’s obsession with reboots and alternate realities. So it is normal human behaviour for role-playing to be receiving the same treatment via new editions, and even complete cosmology redesigns. Since there are already different versions of the World of Darkness, I have no issue with having something new to explore, again. Following on from this is an often cited opinion about the importance of legacy. Personally, I find debating the legacy of things to be odd, more so when the logic involves highlighting different predictions as part of any rationale. I don’t feel that my past experiences are invalidated, and certainly not by alterations to a product after the fact.

Even if you don’t like a version, tweak it, borrow from it, and let your passion guide you to new inspiration. After all creativity is a key aspect of role-playing, welcome the freedom.

The Gamer Who Cried White Wolf

I have written an article for Noobgrind, but first an explanation about why this matters so much to me, as well setting the stage for forthcoming articles. “White Wolf is coming!” I have been thinking this for over a year, ever since the Paradox Interactive announcement, I’ve been desperate to know what is going to happen. Writing about the subject of White Wolf feels bizarre to me; my head is full of conflicting inner-voices, different narratives competing for the privilege to justify particular opinions. This is in part because I know how important this is to some people, like myself, as well as to defend against the many anti-White Wolf role-players. Back in the 90s I ran some unusual games that helped me get a gaming job; for example a yearlong 16 player play-by-mail style World of Darkness games, which I will write about soon.

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I often find talking about White Wolf games, in particular Vampire, is similar to discussing Dungeons & Dragons, the games mean different things to different people. It’s common to hear RPG generalisations further simplified in to meaningless soundbites like: “D&D is crap”, or “Vampire players are pretentious”. Years ago at conventions I’d meet players who hated White Wolf, but typically they struggled to explain why. I even came across claims that Vampire in particular had usurped D&D, which was a strange statement given the age and sheer size of D&D. Even quirkier since those conventions always had more D&D games being played than anything else, and this was before 3rd Ed came out. Also those people tended to conveniently forget what happened to TSR, it’s not that White Wolf beat D&D it’s more that they filled a void of sales at the local games shop. Maybe this type of chat was a big factor as to why so many players were offended by the idea of White Wolf, never mind the other big speculative factors I’ll not go in to here. Since White Wolf became a big deal in the RPG community, it was no surprise so many opinions were thrown around, since the games certainly sold.

Old World of Darkness, Trinity Universe, Exalted, Street Fighter

 

I have been accused of being a White Wolf fanboy, mainly by strangers; it’s a common enough insult some use when debating. Granted I have played the games a lot, yes for many years I was crazy and purchased all the books, as well as the spin-off games (CRPG, VTES, Rage, Changeling’s: Arcadia The Wyld Hunt, etc.), and even quite a few accessories. Once the old World of Darkness and Trinity Universe stopped I became a lot more selective about what I purchased. However, my regular players have played in a wide variety of role-playing games I’ve run (Cyberpunk, L5R, D&D, Champions, Warhammer, etc.), and as a group we have been critical of specific parts of all systems. I don’t think any rule system can be all things to all people, nor cover every possibility, thus I appreciate that my opinions of their products are very much subjective. I don’t see myself as blindly devoted, but I am definitely invested.

I don’t see myself as biased, just that I am invested.

bat-jyhad
In the 90s playing Jyhad (VTES) at The Tache (my regular nightclub)

I have written an article on Noobgrind about the recent Werewolf announcement, which can be read here. This news has helped motivate me to write some more gaming articles, in particular about some of the more unusual games I have ran.

I have previously written about the old White Wolf mostly excellent Street Fighter setting.