GollanczFest 2017 part 4

This continues on from my first post about the Gollancz Festival 2017.

The second panel was called: The Future’s so Bright I Gotta Wear Shades, New Advances in Science (Fiction). The panel was moderated by Richard Edwards (SFX Magazine), and featured: Gavin G Smith, Al Robertson, Tricia Sullivan, Christopher Priest and Justina Robson. A quirky panel title, and with Gavin Smith in particular in the line-up I was hoping for lots of discussion about near future ideas, #CyberpunkNeverDied; I still owe Gavin a blog about my thoughts on this, too much to write 😉

The panel discussed the issue of science in Sci Fi and how to handle it, whether an author needs scientific understanding, plus the issue of prediction. After a slightly slow start the panel developed in to a good back and forth addressing the difficultly of writing about science. After all nothing dates like science. This is an area I have plenty of experience in from my days at KJC Games, when I helped run the long running space opera: Beyond the Stellar Empire (now called Phoenix). Before I started working there I was told to read up a lot more about science and in particular geology, since as a games master I would be interacting with players who were professional scientists, to players who were light Sci Fi readers at best. Once writing game events I had to be careful about how much science was written into the blurbs for a player’s turn. Basically keeping the science out as much as possible and focusing on descriptions. To remember when writing fiction it is not a science paper.

I forgot who said these following comments: “Science fiction is not science it’s a way of running experiments about the world. It’s a form of scientific method.” “Sci Fi is exploratory in nature.” Gavin highlighted that trying to predict the future is a waste of time. Tricia added a lovely summary: the future is not really the future, it’s a possibility space. This is evidenced by so many Sci Fi books, and the panel briefly discussed the old Tomorrow’s World TV show and its appalling prediction record.

Al Robertson added a wonderfully simplistic thing to think about: “There are two things we’re certain of, we’re all going to die, and we’re all going to be in the future.” Christopher highlighted that the real changes in technology are impossible to predict. Tricia brought up the great example about how society has dramatically changed in regards to women and the pill.

I don’t recall the scientists I first heard mention that overall Sci Fi has been terrible at predicting social changes, but Sci Fi has helped inspire so much. The panel continued discussing the issues of writing about the day-to-day realities of technology. Justina added that society could get worse in the future, even though we should be getting better. There was discussion of the current political hot topics, and then The Handmaid’s Tale was brought up. Al said that Sci Fi is not supposed to be a user’s guide, but a warning! Gavin brought a helpful consideration, what the people of Rome must have thought when Caligula took over.

The conversation took a turn when the importance of optimism was brought up. The hypothesis that the rise of GrimDark is likely partly to do with how comfortable many of us have things these days. Al brought up we need Arbour Park, which got my brain racing, and maybe optimism is the new technology we need now.

Christopher linked the abstract conversation of optimism and predicting things to the reality of day-to-day life with this comment: “The emotional spirit about writing about the future is trying to figure out the world our children will one day run.” Maybe having children, literally creating our own replacements, is a form of hope.

After some conversation about optimistic Sci Fi, and of course reference to the Culture series, Gavin asked: “Who wants to read positive upbeat optimistic scifi? Show of hands.” Just about every hand went up. There was a brief chat about how utopian fiction isn’t commercial, highlighting that the Culture series was about the Culture’s dealing with other societies, not about the Culture itself.

Personally, whilst I agree that writing Utopian literature is not easy, I think part of the problem when discussing utopia is how people summarise the concept and keep implying that conflicts won’t occur within a utopia. What do we each mean by utopia? Is it achievable in a group or only individualistic? I think our species inclination to talk about things in simple and absolutist terms is a key part of the problem when trying to understand the concept of utopia. The idea that a large number of people could all share perfect harmony of opinions is not realistic, even identical twins are not actually identical, but I don’t think that negates the idea of group utopia. Fascinating thought experiments about peaks and valleys of happiness leave a lot of room for conflict. Instead of waffling, I clearly should write a utopian story, whilst making sure that is both good and commercially viable – okay, I’ll add that tiny endeavour to my TODO list. The BBC made a series about Utopian ideas called Utopia: In Search of the Dream. I quite enjoyed the series, and I’d recommend checking it out.

There was some fun banter at the end about the radical impacts that teleportation would likely have on society, in particular the housing market. I’m not a fan of teleportation as a concept, too much data to reassemble, but I do love the idea of portals, of using a Correspondence point like in Mage: The Ascension. I could make a prediction, but this panel did highlight not to waste time on such things.

Overall this panel was very interesting, lots of little thought nuggets were mined, plus some rich topic veins revealed. In retrospect having the authors come out all wearing shades would have added an extra level of style, but I am always happy when substance is prioritized.

I made some big progress in my NaNoWriMo writing the last few days, although sadly still a low word count compared to what I would like. The Gingerbread deadline for the 4th December is looming ever closer!

Next time I’ll summarise the panel: Where Do You Get Your Ideas?

I wish I’d thought about blogging this event previously, and maybe I’d have taken better pictures 😉

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Prelude – Secret Rage PBM 5

This continues on from part 1 PBM Thanks & Secret Rage.

I’m off to visit Richie this weekend, and to go to GollanczFest. So there will be plenty of time to discuss the ways I plan on running the Chronicle, and see if Richie has developed or changed any of his ideas. It is also possible we will play a session or two.

Here are the next few pages of the comic prelude that I showed in my last post:

Batjutsu Secret Rage p3

Batjutsu Secret Rage p4

Batjutsu Secret Rage p5

Batjutsu Secret Rage p6

Disclaimer: This is a fan project for a friend, not a commercial product. Vampire, World of Darkness, Vampire the Masquerade, etc., are registered trademarks of White Wolf Publishing, Inc.  “Portions of the materials are the copyrights and trademarks of White Wolf Publishing AB, and are used with permission. All rights reserved. For more information please visit white-wolf.com.”

Prelude – Secret Rage PBM 4

This continues on from part 1 PBM Thanks & Secret Rage.

Where and when to start a game are typically essential questions. When I worked at KJC Games I took the long-time running fantasy game Quest and added in role-play with moderation. Since the game had been running for so long, and some customers knew nothing about role-playing, there was a lot of discussion about the best ways to implement such a dramatic change. In hindsight there are so many things I’d like to have done differently, but given the scale of the operation and time pressure, at least it mostly worked out well. So when I proposed this campaign I knew I would need to treat it as another professional undertaking, and not ignore lessons I had previously learned due to being too caught up with enthusiasm.

Years before when I had run my two big Vampire PBM games I had written out very detailed backgrounds, as well as spent a lot of time discussing things with the players. The Elder Night City PBM game had even more background than the Methesulah game, in part because I was merging R. Talsorian’s Cyberpunk with the World of Darkness (WoD), plus the WoD timeline had moved forward by many years. Although two players were replaced, since they lacked the time to play, surprisingly the final sixteen players eagerly read everything and put a lot of effort in to their turns 🙂

The previous bit of nostalgia was at the forefront of my mind when working on Secret Rage. Since Richie and I know the World of Darkness so well, at least I didn’t need to write a synopsis of the cosmology and numerous powerful organisations. This brought me back to the essential question, instead of having the character be somewhat established, why not set the game before the spirit even existed, or better yet at the birth of the spirit. This was somewhat inspired by a local role-player who decades ago was somewhat infamous for setting his D&D games at level 0. The joke became that in the next campaign the players would be playing the grandparents of their characters, with the goal being to make sure their family got born. Then the next campaign their grandparents’ dogs.

Since Richie is an artist, and a lover of comics, I had the idea of making the prelude a comic. I am not much of an artist, and I need to be careful about my ever present wrist RSI, so I accepted that I could not make it high quality. As spirits are more abstract than mortals, I thought this simpler approach could even turn out to be something distinct. Whilst I cannot use speech recognition software to draw, I can use things like https://pixabay.com/ for free artwork, and a few minutes with GIMP https://www.gimp.org/ isn’t a problem. Apart from using a few Werewolf glyphs I decided it was best to avoid using any official artwork, which is a shame since the WoD has some amazing art.

Batjutsu Secret Rage 0

Batjutsu Secret Rage p1

Batjutsu Secret Rage p2

Next time, more of the prelude.

Disclaimer: This is a fan project for a friend, not a commercial product. Vampire, World of Darkness, Vampire the Masquerade, etc., are registered trademarks of White Wolf Publishing, Inc.  “Portions of the materials are the copyrights and trademarks of White Wolf Publishing AB, and are used with permission. All rights reserved. For more information please visit white-wolf.com.”

Spirit Choice for Secret Rage

This continues on from part 1 PBM Thanks & Secret Rage, the 2nd part is Spirit Game – Secret Rage.

Further to what I wrote previously about the scale of any game that includes something as vast as D&D’s Planescape, L5R’s spirit realms, or World of Darkness’s three Umbras, etc., I appreciated I was giving myself a ludicrous amount of work. Powerful characters tend to have a lot of lore and cultural understanding that would be a key factor in any character choices, and typically large networks of others to manage. This applies to all sorts of high-end campaigns:

  • Epic level character in D&D, GURPS, etc.
  • Methuselah in Vampire, or Archmage in Mage, Deathlord in Wraith
  • Clan Daimyo in L5R
  • Epic level Superteam member like one of the Justice League
  • Daemon Prince in Warhammer’s Slave to Darkness and Lost & Damned
  • Eldar Farseer in Warhammer 40,000

In 1995 I ran a Warhammer Chaos Champions RPG, with the goal of one of the party becoming Daemon Princes. Despite how much we all enjoyed it, two of the players left the area and the game was put on hold. Cue reminiscing about one of those cool campaigns that got away…

Whilst this chronicle is very much set in the World of Darkness, games like D&D’s Planescape, L5R and GURPS have been great aids in working out ideas. All part of my RPG mental-toolbelt belief.

Since an ancient spirit would have vast knowledge of many subjects and treaties with many other spirits, I decided to go with the easy solution of starting the game with the birth of the spirit. This way the player and I will develop a better understanding of the character’s development, and as I’ve written about before PBM is particularly good at handling Time. The time between turns allows for all sorts of details to be pondered, worked out, and dramatic character development.

I made a big list of story/chronicle ideas for Richie to choose from. The idea being that by playing a unique spirit, the spirit’s nature and goals can be designed to cater to the type of game he wants to play. The following is part of the list I sent to him:

  • An Ancestral Incarna, this could be ancient Spirit that goes back to the dawn of the Garou Tribes; these types of spirits are heavily linked to Past Life. They might be closely linked to the dead, maybe even formed by long-dead Garou, or they could be epherma (Spirit matter awakened by a Tribe’s actions), or maybe they came from the Tribe’s Totem but gained importance and independence. This sort of Incarna would be focused on members of a single Tribe.
  • Incarna of Historical Big Moment, this Spirit embodies the idea that big moments are guaranteed/inevitable, and that an individual plays a pivotal role; humans tend to fixate on the ‘big-movers of history’, but this Spirit understands things are more complicated, and it figures out what domino to knock over. Maybe it’s an Ancestral spirit, maybe more linked to the dream realm and Chimera’s brood, maybe this is linked to Storytelling Spirits given its narrative nature, maybe a Past Life Spirit, or maybe it is a manifestation of the Fates.
  • A Wyrm healing Incarna that has hidden itself away and wants to heal the Wyrm by re-joining it! This is likely a super-hard mode campaign, which is saying something given the standard hard mode of the Apocalypse. Maybe the Wyrm is insane because this Incarna spirit escaped, maybe with this piece the Wyrm could heal, sounds like a crazy plan, but the Hydra is crazy 😉
  • A tiny spark of the Balance Wyrm, this Incarna focuses on figuring out how free its parent. However, how to fight a Triat? Especially given the scope of the task. Can the Weaver be persuaded? Can the Wyld be slowed enough to talk to? Could the Wyrm reveal a secret even in its current insane state? As above, super-hard mode, and crazy Hydra.
  • A Weaver Spirit that is a hybrid with either Wyld or Wyrm. In the Wenn Diagram of the Triat there is cross-over, albeit normally in smaller ways and only briefly, cosmologically speaking.
  • Maybe a Spirit explicitly dedicated to a different Supernatural race, maybe in regards to healing, communication, monitoring, or maybe the race’s total annihilation.
  • A lesser Incarna that is a sub-part of the Phoenix Incarna, this would be a big secret since the Garou nation does not know about it. It reveals itself only to Garou who must walk a lonely path to carry out a quest associated to a concept like redemption, rebirth, transformation, etc.
  • The Carer of Gaia’s Word, a spirit that has a secret quest, to protect a secret of Gaia, one that was whispered to her sister Luna. What that secret is, how it relates to the Triat, or to the Apocalypse would be a key part for focusing the chronicle’s theme.
  • Crazy Outsider Spirit Pretending to be a Wyld Incarna: This crazy suggestion could be that the spirit is basically one of Cthulhu Mythos in disguise trying to usurp Gaia, or simply get a place at the buffet of gnosis.
  • Trickster Incarna, super-mega-turbo-hard campaign. It claims to have this big secret, and travels about distracting everything so a subtle plan can be implemented. Likely results in many dead Garou, and other Fera. Maybe the secret is even real!
  • Ninja Spirit, because well ninjas.
  • <Insert TODO Incarna>. The ultimate trick of the Weaver, the Procrastination Planning Spirit. Somehow it will resolve the Apocalypse via a night of cramming. This sounds like the most powerful thing ever! 😉

After a lot of discussion we worked out another spirit idea, which will be revealed in a later blog. Once this was done we were able to determine the chronicle’s focus. I also mentioned that once the game is established I will consider adding new players to the game, partly depending on health, partly workload, and also whether I program some of the game aspects to make it easier to run something even bigger.

There had been a good few minutes spent discussing the <Insert TODO Incarna>. I love this idea, and I’ve added it to my vast list of comedy RP ideas to develop; I’ve made a few already for my forever in development role-playing guide, since it previously read like a monotone academic volume.

Next time I will introduce the prelude.

Spirit Game – Secret Rage

This continues on from PBM Thanks & Secret Rage.

I developed the Secret Rage idea by changing the player character from that of following a lineage of Garou, to that of playing a powerful spirit. Making the game about a powerful spirit, something effectively immortal, which can guide Garou, who the player can also play, gave me the idea: “A chronicle to prevent the Apocalypse”. This idea links to the forthcoming new World of Darkness that is in development, which builds upon the old World of Darkness (oWoD), but the end days (Gehenna, Apocalypse, or Ascension) never happened.

The scale of this spirit game is even bigger than my old Vampire Methuselah and Elder PBM games, more like the professional games I ran at KJC Games. Whilst the spirit has vast powers and epic plans, the key is to treat the character like any other, to be propelled by motivations and personal drama. An added benefit with this project is it also allows me to playtest ideas from a commercial PBM project that I’ve been working on for years: Elemental Masters. This game is about the building blocks of reality and the plots of pantheons; I seriously need a better name than this working title, meh.

A few RPGs go in to some detail about spirits, particularly several of the World of Darkness (old WoD & Chronicles) as well GURPS Spirits. Sadly despite the numerous details they present, I still wanted more depth. To be fair to those books, I do tend to go overboard with my ideas, plus the Spirit label is so all-encompassing, so it is no surprise that a collection of predominately enigmatic entities are described in vague terms. One of the strengths of the WoD books is how many ideas they present, whilst not creating a rigid structure to limit possibility. As normal for any GURPS book, GURPS Spirits is filled with a plethora of thought provoking ideas, and plenty of rules options, plus plug-ins to such a powerful system.

When I first read the Werewolf I was reminded of how the game brilliantly compares with Dungeons & Dragons; I’ll justify that statement another time. Manual of the Planes was my favourite D&D book, and Planescape is my favourite setting, so it is no surprise to reveal that Umbra is my favourite WoD book, my second favourite is the Mage Book of Madness.

Spirit Scale

Given the cosmological scale of any spirit world to its setting, any decision made can have far reaching impacts upon said setting. It is common to declare that the ephemeral nature of spirits makes them mysterious to mortals/beings of flesh, which is understandable given that Spirits are not player characters (PCs). The three tiered Umbra (High, Middle and Low) in the old World of Darkness effectively contains every idea and its spiritual impact, so detailing literally everything would be an impossible task. It is up to each group as to the scale of any Umbral impact they want to explore, there is certainly enough information for any Storyteller to launch all manner of games.

Given how many different games I’ve played for extended periods, I’ve gotten to explore the core setting of each game. This is another reason for my obsession with all RPG cosmologies, to explore. For example a very long running game of Legend of the 5 Rings slowly became about the setting’s cosmology; I am quite looking forward to the forthcoming 5th Edition and to see what more they add. As a Star Trek fan, I did consider another name for this campaign:

Tellurian Trek!

Spirit Courts

Another important consideration is the complexity of any Spirit Courts, powerful gatherings that surely would have connections to each other. A design dilemma is how best to present such entities, especially if they are long-lived, and thus would have many ancient relationships to work out; never mind the historical events they could discuss.  The Dungeons & Dragons setting Planescape went in to a lot of detail about the Blood War, which I think really added depth to the D&D cosmology; the machinations of ludicrously powerful entities and Gods is better presented in that setting. Werewolf did a good job of summarising many Spirit Totems and their relationships, and the setting itself is based around the Triat and Gaia.

I believe the vast cosmological scale of is one of the key reasons so many players of the World of Darkness setting preferred Vampire over Werewolf or Mage, and to a lesser extent Wraith, Changeling and Demon. Vampire is a rich enough game; it has plenty of characters, depth and history, without needing the Umbra to be brought out of the shadows. When Dirty Secrets of the Black Hand came out, a few players I chatted with explained that they didn’t like the new layers of plots, and some said they disliked the Umbral tie-ins; there were of course forum posts debating this point. Several players I’ve chatted with who love Werewolf or Mage typically list the vast cosmology as a reason why they do. Of course plenty of players, like myself, appreciate the different games for different reasons.

Spirit Psychology

Years ago I had written a collection of ideas about spirits for Elemental Masters setting, but I had not fleshed my ideas out enough. Typically for me I had avoided finalising ideas due to constantly feeling that I needed to research more. Finally with years of research and this idea for Secret Rage I was able to finalise ideas. I had been working on detailing the psychology of different types of spirits, also drawing upon computing and philosophical ideas. Exploring ideas such as compartmentalised minds, how an Incarna’s brood relationship works, how I think slumber works, more about a spirit’s relationship with Gnosis, Gaia, etc. My spirit work is not ready for public release, but things are at a good playtesting stage, which Richie and I will explore.

I’ve considered whether to develop this work in to a commercial product, so it is interesting to note that the new White Wolf have the Storytellers Vault.

Next time I go over the spirit choice for the game.

PBM Thanks & Secret Rage

A while ago when I was mostly bedridden several of my friends would skype with me. It really helped to have some extra communication, and thankfully with a wireless headset it meant I could rest in bed. One of my long-time friends is Richie; he’s self-employed working from home, and has a young child, so he’s ludicrously busy, yet he still allocated time for me.

In addition to saying thank you to Richie for his support, I have tried to offer small gifts to show my appreciation. Richie and I first role-played together well over twenty years ago. Due to his busy life he’s not able to game regularly, so I thought a Play By Mail (PBM) game would do us both good, neatly sliding in to his hectic life schedule, at whatever pace he could manage. I wrote an introductory series to PBM here.

Roughly a year ago we discussed playing old White Wolf’s Aberrant game, since Richie’s a fan of comics, but he’d not played that setting yet. Aberrant has a rich Supers setting with mature themes, and lots of world changing powers to explore. Sadly this game never quite got going due to how busy Richie always is, and since I was still struggling with my health I didn’t push the subject. I have managed to offer a few other things as thanks, for example I made this small thing a while ago when he was ill:

BatJanoSandman

More recently I returned to the idea of offering a better present by running a PBM game. As we are both writers I considered proposing a classic style Dungeons & Dragons game emphasising the Hero’s Journey arc. Although this may feel a bit too cliché to many role-players, I think it is worth keeping in mind that there is so much you can do with good old D&D, there are so many settings and styles of gameplay. I also considered a Cthulhu game, given the single player nature of this game maybe doing something along the lines of Groundhog Cthulhu: Live, Go Insane, Die, Repeat. Or maybe going a bit over the top and running a GURPS Infinite Worlds game. I went through lists of other RPGs, even games that I’d not tried out yet. Eventually I settled on a game that I thought was the most likely to get Richie to bite, so I suggested the Gift of Werewolf.

We both adore Werewolf: The Apocalypse; well we adore all of the classic World of Darkness (cWoD). Despite how much we played Werewolf, we still want to play more, both feeling the genius game was overlooked by many gamers, and those who did take an interest in the World of Darkness games typically favoured Vampire. Over the years when I’ve been asked to pick to my favourite cWoD game I’ve always picked the World of Darkness as a cohesive whole, since that was how I always ran the setting. So my friend knows that when I suggested Werewolf, I really meant the cWoD with the primary focus being Werewolf.

After some chats I made a list of ideas for the Werewolf PBM for us to discuss further, and things quickly developed; typically I wanted to do something more and a bit different than my previous games. The initial premise was Richie playing a lone Garou, however, role-playing a lone Garou is a bit depressing; they are primarily pack animals after all. So I proposed a game spanning eons, we could use Past Lives to allow for story that covered such a time period, a chance to explore a powerful historical and social background of the Garou, and it could be about preventing the Apocalypse. The new White Wolf Publishing company are working on a new World of Darkness, one that roughly continues from the classic, without the Apocalypse/Gehenna/Ascension ending. Whilst we are waiting for those products I considered this to be an intriguing idea.

Over the course of a few weeks I played about with the premise and kept coming back to wanting to do something more like my Vampire Methuselah and Elder PBM campaigns. Meanwhile Richie wrote a cool short story, things were a go. I then had a more intriguing campaign idea, one that would take the Past Lives plan to an even bigger level, and take the game in a radically different direction. It didn’t involve abandoning what we’d initially set out to do, and Richie’s story would tie-in.

Next time I’ll go in to more detail about my Secret Rage.

You can check out some of Richie’s great designs at http://www.richiedigital.co.uk/

Positivity & Quality, the Mikey Neumann Way

For me this week has been marvellous, two projects that I’ve been anticipating for a while were released, and both delivered. The first was by Max Landis which I wrote about in The Passion of Landis, the second is Mikey Neumann’s video on John Wick 2. I appreciate this somewhat abandons my normal anti-hype stance, but there are both in that rare category of constantly delivering.

After I watched Mikey’s video on John Wick 2, I know I wanted to write something about Mikey and why I think his work and positivity is of such a high quality. I was introduced to the amazing Movies with Mikey via this statement:

 “Mikey is a wonderful human being, so it kind of adds up that he would make one of the most celebratory film review shows on the Internet.”

Extra Credits. 22 Dec 2016.

After such a good recommendation I checked out Movies with Mikey, which is on the Chainsawsuit Original channel, and I was not disappointed. I believe that Mikey Neumann wonderfully highlights the many things that can make a film great, even if the film has some substantial flaws.

For example: the film Sunshine received a lot of criticism, and Mikey doesn’t ignore how the second half was a problem for some viewers. Crucially Mikey also talks about the film’s incredible music (it truly is!), the cinematography, the gravitas of the plot, the human drama. Even though I have seen the film and thought it was a good but flawed, after watching Mikey’s video I now have a much better appreciation for Sunshine.

When I discover a new YouTube channel that impresses me I prefer to go to the channel’s beginning and watch everything. I appreciate that normally earlier videos tend to lack the production quality, but even his old videos like Ninja Turtles have the quality and voice of his later work.

One of the fun things that Mikey does with his videos is quirky segues. Granted there is nothing too unusual with that …

But Did You Know? Previously Mikey Neumann was an actor and writer for the games Brothers in Arms and Borderlands.

Mikey’s video on The Force Awakens is a great example of digging into a film that many people have intense opinions about. I loved the Star Wars setting as a kid, as well as the numerous games (computer, tabletop role-playing, etc.) I still like the setting now, but I am somewhat guilty of being sick of the hype Star Wars gets, in particular by those that claim it is on the only thing; these days I restrain myself at least. Personally I thought the film was okay, there are bits in it that I found annoying and things that I enjoyed, nothing special there. After watching Mikey’s video I found myself reassessing the film, and I came away from the summary with some extra appreciation for The Force Awakens.

I had a similar experience with Mikey’s overview of Interstellar, a film which I had really enjoyed, albeit with a few niggles. Mikey presented a wonderful rationale about the power of love and how it relates to events in the plot, which cut through my complaints. Whilst I consider myself open to persuasion, like most people it takes a lot to persuade me, and that’s a power that Mikey has.

Now when I see a film, I have the added pleasure of looking forward to the hope that Mikey Neumann will make an overview of it. I am intrigued as to what Mikey will say about it, what redeeming things will he highlight?

I adored the film Arrival, and Mikey’s analysis was a second helping of film love. Mikey’s overview of John Wick helped me overcome a creative barrier with a role-playing game that I have been working on; I will blog about this after playtesting the ideas some more. Thus I was heavily invested in Mikey’s analysis of John Wick 2.

It’s Going Down For Real!

And here’s the thing, I think appropriate positivity is important, as is being fair, but these concepts are so vague that we all have different opinions about them. So I think it’s valuable highlighting that some of the fun and quirky things he puts in his videos might be off-putting to a few, and like all good art there are differences of opinion. Give one of his videos a full viewing, I think for the majority of people that time will be well spent. Mikey’s introduction to John Wick 2 is a case in point, I wasn’t a fan, yet I was pretty much smiling the entire time. Oddly I was in no rush to get to the detailed analysis that I had been looking forward to for months, I simply enjoyed the moment, his creativity and fun. I later decided to look at the comments section, and I was amused by a few people being negative about Mikey’s rapping. Certainly any regular viewers should appreciate his style, and stay positive themselves. I found the rest of the video to be amazing, with some very interesting points made.

But did u knnnooow?

Mikey has Multiple sclerosis (MS), and his ongoing battle with health is quite the tale. This is part of the reason I felt compelled to write about someone I only know through their art. Some time ago I wrote a blog about Wallowing in Positivity, and given my own ongoing health problems I can somewhat appreciate Mikey’s much more severe condition. Managing any work whilst ill is impressive, never mind high quality work; this is not about implying perfection, I am sure Mikey has many varying emotional responses to things. I originally wrote a lot about how being ill typically makes everything not just physically by psychologically more difficult, partly because I’ve met people who dismiss this as untrue. My point is better served by stating that I think it’s inspiring that Mikey is able to radiate such positivity; to read more about Mikey’s health check out “The Road to Here…”

Like most people I have a bunch of things that I criticise, and whilst I always strive to be constructive, I can often feel like I’ve been too negative when discussing something. My own bed rest provided me a lot of thinking time, this led me to re-examine how sometimes it is more constructive to be positive, to focus on the good, instead of starting from a negative point. In a world filled with critics offering typically negative heavy analysis, it is great to have people like Mikey offering something different. Discovering Mikey’s work has brought great joy to my life, and emphasised a life style approach that I aspire to embrace more myself. Check out more of his work at http://chainsawsuit.com/