Bleak Spirit: Lost Lore + Adversaries

At the time of writing the RPG Kickstarter for Bleak Spirit has just over two days left to go. It is already funded, demonstrating the game has a market. I have several ideas about this game, both by itself, but also as an aid to other games. Before I talk about my plans, here is a quick overview:

Bleak Spirit is a tabletop roleplaying game inspired by the empty, haunted worlds of video games like Dark Souls, Hollow Knight, and Salt and Sanctuary. Using a rotating role system, two or more players collaborate to create the story of how a wanderer comes to a strange place, and leaves it forever changed in their wake.”

The game follows in the style of the collaborative storytelling game Lovecraftesque, a game that is inspired by Stealing Cthulhu (single player writing RPG). As noted in the quote above, players take in turns to play:

  1. The World describes the scene, which can be a danger, interaction, or feature scene. The tone of the game is that of melancholy, mystery, and faded glory. Lore is introduced, which in addition to providing a chance to explore the setting, also can be building towards the final Adversary.
  2. The Wanderer explores the scene, decides what action to take, uncovering lore as they travel. The person playing the Wanderer that turn chooses their actions, taking care to avoid describing the wanderer’s internal monologue.
  3. If there are more than 2 players than there is also a Chorus supporting the World. The Chorus can elaborate on events, suggest prices during danger scenes, or play a character that has been introduced.

The game is broken down into 3 sections (part 1 of 5 scenes, part 2 of between 1 to 3 scenes), allowing the wanderer to find lore and building the game towards part 3 and the story’s main Adversary. There are a set number of scenes classed as Interaction, Danger and Feature. The game has special cards that can be played altering the course of a scene. The cards do more than just mix things up, they can also add extra tension. You can read more about mechanics at the Kickstarter, such as why Leaping to Conclusions is part of the fun of the game 🙂

Bleak Spirit Card Samples

The wanderer is a stranger in a strange land, generally visiting bleak, run down locations. Other characters are eccentric, elusive and cryptic. Bleak Spirits approach allows for players to discover depth and complexity, without preloading the world, capturing for example how Dark Souls series achieves this. I think the method of alternating roles supports the game’s intent.

Bleak Spirit also strips away many of the common RPG mechanics and tropes, allowing for freer flowing storytelling. Also the power of a veteran Dark Soul’s player shines, with the exception of the final Adversary, the Wanderer can survive most encounters without issue. The interesting aspect is how the Wanderer moves forward/survives, what price is paid?

After a game, players may wish to discuss things about what occurred, their plans and Conclusion Leaps; maybe even add extra context. During play, the lack of information should be embraced. More gaming session could be set in the same story world, building up the setting lore. A long campaign could result in a very detailed world, so keeping things vague is likely the best way to proceed after each game.

Truth & Ambiguity

I’ll emphasis what is intriguing to me is that quintessentially Bleak Spirit, that it seeks to avoid setting clarity; there is no TruthTM, even about the Wanderer themselves. Whilst there are many RPGs that are easy for new players to access, particularly games set in modern day real world, many RPGs have a lot to learn upfront, particularly for the DM/GM. Even the massively popular D&D settings like Forgotten Realms have a lot of maps, lore and proper nouns to learn. Granted you can ignore everything, but I think a big part of what makes characters interesting in RPGs is figuring out how they fit in their world, as well as exploring social implications. Movie amnesia is one work around, but I think the fact Bleak Spirit intentionally integrates the lack of knowledge is great, the character’s lack of memory is not important. I think this further helps support the setting’s tone of faded glory.

This year I’ve blogged about two other Kickstarters that explore the subject of characters and memory, One Child’s Heart and Afterlife: Wandering Souls. I’ve been working on my own RPG settings and different fiction that explore my long-time obsession with memories and identity, as well as what those mean to characters in RPGs. Bleak Spirit is taking a different approach to those games, as well as my own, so I was very pleased to come across this project.

Aiding other games & #RPGMentalToolkit

I like to mention expanding my RPG Mental Toolkit in several of my RPG posts, so please indulge my thought process with this. Since I think Bleak Spirit manages to capture an important dilemma in RPGs: creating collaborative eerie cryptic complexity, without a lot of reading or preparation. Therefore I think it can be switched to as a mini-session for other games, when something unusual needs to be created, Bleak Spirit could be a more surreal and esoteric way to do so.

As a veteran gamer of many systems, I am aware that no matter the game system, a group of good players can discuss things, set a tone and embrace hidden depth. Whilst some role-players take the idea of a DMGM/Storyteller/etc. as meaning only they can decide what a setting’s contents are, plenty of other gamers allow any players to contribute. In addition players can use the Blue-booking or Play-by-mail (PBM/PBeM) methods to explore/build something away from a table session, but not everyone uses those methods.

Imagine one of the many RPGs that are out there, gaining from having a mini-session of Bleak Spirit. I think the mystery and melancholy of this game will excel when players want to explore something personal in an esoteric way in another game/setting. Particularly with any game that has weird lore (civilisations, magic, dreams, etc.). Here is a non-exhaustive list of games that includes a strange aspect to its reality, from different planes of existence to ways of altering/exploring mental states:

Any Cthulhu game, particularly if the Dreamlands are involved. The various different types of Umbra in the World of Darkness (in particular Mage, but also Wraith, Changeling, Werewolf, Vampire), similarly the Chronicles of Darkness, Unknown Armies, Kult, Exalted, D&D (explore more exotic places/planes and unknown societies in: Planescape, Scarred Lands, Ravenloft, Dark Sun, Forgotten Realms, Spell Jammer, etc.), Legend of the 5 Rings, GURPS, Warhammer Fantasy or 40k, et cetera.

Bleak Spirit could also be a way for a group to help players learn how to take the lead in a scene. An important baby step towards learning to be a GM and to gain confidence. Other collaborative storytelling games like Fiasco are worth exploring for this reason.

I had arranged a playtest game, but due to my ill health and busy friends those plans fell through. My plan was to offer either a totally unknown setting, the default for Bleak Spirit, or to explore a Realms of Chaos Champion within the Warhammer setting. However, you can check out another blog post about Bleak Spirit that also has an actual play:

https://allthethings123.blogspot.com/2019/06/bleak-spirit.html

https://allthethings123.blogspot.com/2019/07/the-war-sessions-zero-and-one.html

Check out the Kickstarter at https://www.kickstarter.com/projects/179941520/bleak-spirit/

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#RPGaDay2018 Day23 Play Again

Which game do you hope to play again?

So many choices, like most gamers. I kept my video short today, in part to avoid rambling about some of the long running campaigns/chronicles.

Besides my main group, currently playing Mage, I have a few 1 on 1 games being discussed, so there is a chance I might get to play several of these games soon. I bought a lot of terrain to help run a megadungeon, good chance the game will use either D&D 5th or GURPS Fantasy.

 

#RPGaDay2018 Day18 RPG Art

Art that inspires your game

For day eighteen’s question I went into quite a deep dive, but I still managed to miss several things. I didn’t talk about movies, computer games, the art of gaming itself, writing, poetry, or the powerful access to imagery that the Internet provides; whether sites like Pinterest or character casting ideas from IMDb. Playing Cyberpunk 2013 and then 2020 helped highlight the importance of fashion to some characters, the settings tagline of Style over Substance helped emphasise this.

#RPGaDay2018 Day18 graph

I talk about maps and journeying in games multiple times in the video, but I’m not sure I did a good job of coherently summarising that my biggest source of art inspiration has always been maps. Lots of interesting post from the RPGaDay community, I link some of them below.

Mick Hand’s blog has a great list of art, and in particular cover art: https://igm4u.com/f/rpgaday2018-18

Nerdwriter1’s made a great video: “A look at the colorful history of sci-fi book covers”

IvanMike1968 particularly got my attention with this video:

Runeslinger giving an interesting overview.

Another interesting take on a question at Ede Sol Media channel:


Excellent UK costume designer Tom Roe runs WhiteStar Clothing.

The Wonderful writers, who are two of my favourites, are Ed McDonald and Gavin G Smith. I’ve posted reviews about their work on various sites, but I really should blog about them as well 😉

 

#RPGaDay2018 Day17 Compliments

Describe the best compliment you’ve had while gaming

An awkward question but as this is a positive event I’ve gone for an #RPGDeepDive, but then included some criticism of myself 😉 I didn’t make a #PieChartofIndecision for today, that felt like going too far; isn’t doubt great. I did consider writing about other ways the question could be answered, such as other people being inspired by your games or characters, people being clearly invested in a game, hearing stories about some amazing role-player that turns out to be about me, being reminded that I messed something up but at least improved because of it 😉 Whilst I could add more I think it is worth highlighting:

We play a collaborative hobby, so I appreciate any personal compliments are in that framework.

Please check the video below out for what I do talk about:

 

#RPGaDay2018 Day16 Plans Next Game

Describe your plans for your next game

Worse week than my current bad weeks, so I tried something experimental for today’s video. Gives me an idea for a puppet LARP, Avenue Q style. Struggled to maintain voice, need to work on that, and puppet skills obviously 😉

For my Mage Ascension investigation game, I’m working on phys-reps for the party’s detailed scans looking for reality deviant anomalies over a wide area. My plan is to use clear sheets with stickers on to indicate an anomaly, with each party member using their own specialist research methods bringing their sheets together to indicate differing levels of anomalies. They overlay their sheets on to a foldout map of the area. If all their scans are very successful then they will find just a few high level anomalies and can filter out the noise of lots of low level anomalies.

I have alternatively thought about using google maps and layers to achieve the same thing. Whilst it is easier, people typically prefer physically things they hold.

The D&D Muppet game that is referenced in the video is at mikemyler.com, inspired by Dan LuVisi’s artwork The Streets.

#RPGaDay2018 Day14 Failure Became Amazing

Describe a failure that became amazing

I go into some depth about a crazy game Vampire that I run back in the 90s, which become a disaster from a certain point of view, but most of the players loved it. It also led to an amazing game. No LARP stories, nor have I included tales about a critical dice roll radically altering a game, not that I have anything against those moments, just that the list I think I made is enough 🙂

Just realised I badly explain my point about high fantasy RPG, pesky sleep deprivation. I guess my foggy thinking was that high fantasy is typically about big failures and big successes, so many of the stories I know from others are the overly-epic type. Such as intentionally pushing scenarios to create guaranteed failures, invulnerable NPCs monologuing, which then requires Deus Ex Machina or there is a party wipe.

#RPGaDay2018 Day14 graph

#RPGaDay2018 Interview

I submitted a list of question suggestions for this year’s #RPGaDay event. In return I was sent a list of questions for an interview by Autocratik (David F. Chapman), the creator of #RPGaDay. Since the Garou that guards my games library is also called Dave, I thought it could serve as a good stand-in interviewer. Quirky what you think is funny when sleep deprived. Could be worse, I had considered doing the interview in one of several LARP characters 😉

https://autocratik.blogspot.com/2018/08/rpgaday2018-day-14-describe-failure.html