#RPGaDay 30

If you are not familiar with #RPGaDay, then please read this page first. For the 30th day of #RPGaDay the question is:

What is an RPG genre-mashup you would most like to see?

My tweeted answer is: #RPGaDay 30, #RPG inspired by many systems, and my old job, a Mafia Time Extortion game.

Like many role-players, I have a collection of ideas that I’ve been adding to for years. It can be argued that so many genre-mashups have been done, that there is nothing left. I almost agree with that sentiment, particularly with so many systems and settings allowing for easy adaptation of anything.

  • Whether it’s GURPs in general, or the Banestorm setting in particular.
  • The wondrously detailed Heroes system.
  • Palladium’s Rifts, and the Megaverse in general.
  • Technically the World of Darkness has everything within its vast Tellurian.
  • Dungeons & Dragons has mentions of links to other realities, so there is nothing preventing mash-ups with that system.
  • Or other systems that work well as a launching platform such as Savage Worlds or Fate.

Keeping to the spirit of RPGaDay, and having fun with the question, I’ll get hung-up on whether my idea is silly, or already been done. I am sure people will mention all sorts of ideas that may actually in a few groups giving it a bash, so I am quite looking forward to scouring the Web for answers.

When I worked at KJC Games back in the 2000s, there a few ideas that Mica, my boss, and I discussed as potential for a commercial PBM RPG. Mica worked on some details for an interesting flashback vampire game. Since he knew I was a fan of supernatural myths and many game systems, in particular World of Darkness, he used me as an example of the target customer. Sadly that game never happened, too many other things to do. Years later I contemplated doing something with the idea, but decided against it since it was originally Mica’s, instead I got obsessed with coding software to support role-playing a time travel game.

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There are many games that touch on time travel, and of course GURPS explores the subject in quite some depth. In the 90s and early 00s I had run the Vampire Giovanni Chronicles with a few groups, and my main group had gotten up to book 4. The PCs start out as mortals in the 1920s working for the Mafia. The chronicle explores their lives being drawn in to the World of Darkness, eventually being Ghouls, and eventually embraced by Giovanni. My players, however, decided they were really happy playing a mortal Mafia game, since they were having such fun they even requested I delay any supernatural aspects indefinitely. Since I was still working on the time travel game ideas, I got the idea of doing a setting that was a mash-up of a Mafia Time Extortion game. Years later Looper was made, which is somewhat of a Mafia time travel story.

In 1999 I spent a year working on time travel ideas after meeting Martin and Damian of the original Suzerain team. After writing them a detailed essay about the game, I was invited to become more involved with the game, and so I became a freelance writer. I later helped with Suzerain’s GenCon UK launch, demonstrating games and helping to run the two LARP events that weekend. Suzerain was an interesting RPG, that reminded me of Quantum Leap. I’ll write about my Suzerain interest another time.

Although I’ve not playtested the designs I have for my Mafia Time Extortion game, I did adapt a few things for the Trinity Verse game I ran. What started out as a typical Aberrant campaign became about tracking down Max Mercer’s time travel. Typically for me the game got complicated, and required a database to track all the Novas, as well as Adventure and Trinity era NPCs. That game is on hold awaiting the release of the Trinity Continuum.

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#RPGaDay 23

If you are not familiar with #RPGaDay, then please read this page first. For the 23rd day of #RPGaDay the question is:

Which RPG has the most jaw-dropping layout?

My tweeted answer is: #RPGaDay 23, #RPG, #GURPS

I was blown away when I was 11 and I first saw AD&D 1st Edition; it seemed even more impressive than the D&D boxsets. I had the same reaction a short time later when I looked through the Manual of the Planes 1st Ed. The pictures and text layout emphasised the goal of the book, an encyclopaedia of places and metaphysics to explore. For my formative years I have had similar reactions with the majority of RPGs I looked at: Cyberpunk, Warhammer, Vampire, Palladium, etc. I guess typically for my age, even a game with poor layout didn’t particularly bother me; I’d mine it for what I liked regardless.

This changed in the 90s when I finally took a lot at GURPS. I found the books to be jaw dropping, the sheer amount of information crammed in to them. Even the content pages are detailed and long. The layout style in GURPS is further enhanced by its usage of sidebars to layer even more information. I know from chatting with a few other people that the layout of GURPS added to their apprehension with the game, they felt the book was assaulting them with information. I appreciate their point, but for me it’s almost like having a book within a book.

GURPS layout

After I’d seen GURPS I did keep coming across works that impressed me, but I didn’t have the jaw dropping reaction. Even with games I adore: L5R, Changeling: The Dreaming or Aberrant.

As I gained professional experience with layouts, I was required to learn more about the power of layout. When I made the Quest: GM Edition rulebook, it was all about providing information without swamping the reader; I still have mixed opinions on that work, but at least I worked hard on it. Whilst, when my old boss converted the Beyond the Stellar Empire game to Phoenix, he settled on a layout similar to GURPS approach for the rules, which suited the nature of that in-depth game. We discussed different layouts for hours, as well as examining other peoples’ work, fun times.

These days I genuinely appreciate the craft of layout, and the time sink it can involve. I think I’ve finally figured out the layout for my massive role-playing guide, which for years I kept altering. I felt that most of the previous designs, gave the work the presentation like that of a waffling textbook. I feel I still need to learn a lot more, especially given how impressive RPGs can be these days.

There have been many great examples posted for today’s question. In particular Runeslinger’s answer introduced me to a very impressively designed book.

This video gives a good overview on the power of layout:

#RPGaDay 16

If you are not familiar with #RPGaDay, then please read this page first. For the 16th day of #RPGaDay the question is:

Which RPG do you enjoy using as is?

My tweeted answer is: #RPGaDay 16 #RPG #L5R #DnD #Palladium, overall #L5R

I know plenty of gamers that love any chance to talk about system design in general and/or their favourite systems. I find system purity to be a fascinating area, especially when playing ‘obviously flawed games’ as is. Despite the fact I love tweaking things, I’ve still run several systems as is, and still had fun! I am a fan of multiple systems, and how each one can subtly influence the mind-set of everyone involved. I am also a big believer in utilising an RPG mental tool-kit, which is why it is rare for me not to adapt things. I don’t believe there is a perfect RPG system, since there are too many people with too many different preferences, and this is partly why we have some many different and interesting systems to draw from.

I have run a lot of D&D as is, in part because of playing with numerous players, whether at convention, local clubs, or small groups. The same applies to a few games of Stars Wars D20 that I ran. Given the diverse player base, I was advised at my school’s RPG club, to carefully consider any rules tweaks, so as to not confuse other players, never mind avoid debates. Given that we generally had short sessions, this advice made sense; I think is also part of the reason why at conventions I’ve run games as is.

I respect that this is a passionate subject for so many gamers. We have all sorts of psychological reasons why this can be a sensitive subject, whether it is because:

  • We generally like to know where we stand.
  • Past experiences of debates about rules, possibly involving teasing, maybe even bullying.
  • Since we have spent time learning something, to then find a GM has changed things.
  • As well as subtle impressions, like the issue of buying something and feeling our financially investment is being devalued by someone changing things.
  • The nagging concern that there may be other changes, which links back to liking to know where we stand.
  • Added to this are the numerous debates that I am sure most gamers have come across, and in particular some of the online RPG flame wars.
  • Etc.

Decades ago, my take away from reading many angry posts was to strive to become both better at explaining my main point, it’s all to ease to get side-tracked. More importantly was for me to become less opinionated, especially with strangers. This is partly due to running a community whilst working at KJC Games, GMing Quest, as well as assistant GM for Phoenix (then Beyond the Stellar Empire). As an assistant GM I never felt like I had any real say other things, I was told that I did, just to think carefully, but still I never shock that feeling off, so running that game was good practice at keeping to the main GM’s style and goals. Given the fact I had no training about company PR, and there were a lot of problems converting a PBM non-RPG in to a moderated RPG, I think I mostly handled things well, but I definitely still made many mistakes.

Like any aspect of psychology, I strive to always remind myself that each of us is an individual, and to communicate not assume. This is why I discuss my approach to RP, and any house rules, with any group I play with; although unlike when I was younger, these days I try not to be a floodgate of enthusiasm about it 😉

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Since Legend of the 5 Rings was released, I have run my main campaign as is. I am not trying to imply the rules are perfect, but the rules have worked well for my various groups. In part because I think rules fit the game’s setting; the game reminds me of D&D crossed with a Storyteller game, with the inevitable aspect of Warhammer‘s Chaos and Cthulhu Mythos.

I almost choose Aberrant, but I minutely adapted that game due to the ping-damage issue, that meant for me L5R was a better answer. Given that the design of Aberrant was about outrageous power and corruption, the rules kind of thematically worked 😉 For previous RPGaDay answer I have written about how I am really looking forward to Trinity Continuum. I originally wrote a lot about my hopes for the setting, but I decided that my Mega-Enthusiasm 3 was a bit too much of a tangent.

Other games I’ve run as is includes Palladium, in particular Mystic China. I’d recommend checking out Runeslinger’s blog and video about this infamous system.

#RPGaDay 12

If you are not familiar with #RPGaDay, then please read this page first. For the 12th day of #RPGaDay the question is:

Which RPG has the most inspiring interior art?

My tweeted answer is: #RPGaDay 12 #RPG, #Aberrant #Trinity #Adventure due to the wonderful IC pages.

I had so many initial thoughts about this question, and sadly despite the list of honourable shout-outs I have provided, I know I am missing off to many noteworthy games. Many old games came to mind, in part because they had been part of my formative RPing years. Whether staring at the old Monster Manuals for AD&D 1st ed over and over again, or the Warhammer artwork emphasising the dark setting. When I started playing Cyberpunk, the artwork helped to differentiate itself from the fantasy games I had previously played; a game with both style and substance 😉

Cyberpunk Interior artI considered Tales from the Loop, which was built upon a wonderful collection of art. This is also a great example of how modern RPGs can have amazing artwork, and how we can keep being surprised.

L5R is one of my favourite games, in part due to its incredible artwork; I tend to buy all the books for a game I like, but at least that means more artwork. Given the game’s emphasis on culture, and how important appearance is in that setting, with so many pieces of art showing character interaction and attire, it was quite easy to show players an example to help inspire them.

I nearly choose Changeling: The Dreaming, I adore that game; I wrote about one of my Changeling campaigns for Day 7. I shouldn’t really single out any of the classic World of Darkness (cWoD) games, as a whole the interior art was diverse and gripping; the walls of my old flats were covered in mostly WoD artwork. The artwork for Wraith really helped to inspire that game’s setting and mood, although I know a few players that were too disturbed by that game to even try it. Changeling’s lovely artwork helped to make that game stand out, and with the diverse races (kith) the pictures felt like a nod at the older games like D&D, whilst being noticeable different to them.

Changeling Interior ArtA special shout-out to Palladium’s: Ninjas & Superspies and Mystic China; whilst I am it, also for Nightbane. Like so many of Palladium books, there is a good mix of artwork. In a hobby dominated by fantasy, then Sci Fi, and then probably Supers, I really appreciated any martial arts artwork.

Although Street Fighter is a big IP, and thus it’s a bit unfair to compare it to non-major-IP games, as I mentioned on Day 5, the artwork was very inspiring. Overall the artwork was vibrant and fitted the style of the game. I’ll admit that anything martial arts related gets a bonus from me, but I really love that game for taking a beat’em up and turning in to something special.

As mentioned above, I finally settled on the books for the Trinity Universe, and in particular Aberrant. Having so many In Character (IC) pages really helped to get the setting across. They were easy to show new players, especially the pages that were comics. Thus the interior art was more than just artwork, they were IC game props. Although the old White Wolf company had done this sort of thing before with the cWoD books, it was taken to a new level with books for the Trinity Universe. Between the timeline, the IC news articles, interviews, wrestling shows, and profiles, the whole collection was both inspiring and highly informative.

Aberrant Interior ArtAs I mentioned yesterday, Onyx Path Publishing are working on rebooting this setting as the Trinity Continuum. Clearly with such a rich heritage to build upon, and the great work and experience of Onyx, Trinity Continuum is obviously going to be amazing. I’d only be surprised if the game was less than stunning to look at. Check out the Trinity Continuum pages.

#RPGaDay 06

If you are not familiar with #RPGaDay, then please read this page first. For the 6th day of #RPGaDay the question is:

You can game every day for a week. Describe what you’d do!

My answer is: #RPGaDay 6, discuss with my group: 1) run the week like a convention, or 2) see link

As always whatever I run would be discussed with my group. Since we’ve gamed together for decades I guess the vote would either be:

  1. Running the week like a tabletop convention. I’d have a choice of different games that the players could then vote on what games to fill those slots. Ideal for mixing things up, enabling players to return to old campaigns, start something new and also a chance to try out the latest RPGs.
  2. I am currently playtesting my own game (Elemental Masters (rubbish working title)). I feel it would be best to take breaks from this so I could take on board any feedback, and then tweak designs as necessary. The other 50% of the time I’d go with my answer for day 1 of returning to a long running L5R campaign, but adding in Cryptomancer shards for: “Shadow in the Shardnet”.
  3. Run a multitude of different settings using GURPS. Maybe on the final day the different settings are all linked up.

RPG Reality

I currently only have one group, and we are all too busy. Sadly we wouldn’t have a week we could put aside, and even if we did I would still want to focus on writing and design. Still I appreciated the dream time that the question instigated.

Quick Nostalgia

Like many gamers in their youth, I gamed as much as I could. During the summer holiday of 1990 I played Cyberpunk 2020 practically every day during 10+ hour sessions, for most of the 6 week summer holiday. I had been playing a lot of D&D before then, and World of Darkness once it was released.

Some years later I had less time to due to work, but for a while I did play in many different groups and ran several groups.  So I was gaming 5 days out of 7, mostly classic World of Darkness, but also some Street Fighter, Palladium (Ninja and Superspies) and D&D.

By 2000 when I was working at KJC Games I didn’t get to game as much. I was not gaming in as many groups. I started going to gaming conventions, as well as helping a bit with the local convention TowerCon. I stopped going to tabletop conventions since I returned to playing LARP. More recently I’ve mostly been finalising years of designs.

https://batjutsu.wordpress.com/2015/12/06/street-fighter-rpg-look-back/ and other links to old articles can be read via my RPG post summary page https://batjutsu.wordpress.com/role-playing-game-links/