Health Before Word Count

Recently I’ve managed to make a blog post weekly, but this week I’m a few days behind. I have done some RPG design work, but as I wrote about an idea I realised I needed to be explain something else first. The next part of my series Role-Playing Game Types is a summary of things that I wrote years ago for my role-playing guide, but those ideas were about 200 pages in, which is why writing a synopsis has proven so time consuming for me.

On Monday I had the urge to rush something out; the thought kept stressing me out. Even though I had written things, I wasn’t going to complete anything in time, and I was trying to stick to a deadline about posting at least once a week. Sadly the stress caused a severe pain spike to my normal pain levels, meaning more breaks were needed. As I mentioned in Healthy Pacing for Deadlines, personal goal setting can only work if the person is realistic about the pace they can set for their work, which also has to take into account health considerations. Estimating how much that is, is a daily struggle, as my health can still fluctuate a lot each day.

Whilst my improved workload is not a return to the vast amount of work I used to do, like a lot of 80 to 90 hour weeks I did whilst at KJC Games, at least things are a bit better than they were a few months ago. I think I am getting better at the daily appraisal in regards to determining how much work I can do before further aggravating my body. The Spoon Theory is a good way of explaining energy management, it mostly applies to my situation, but explaining what my thoughts on this is a blog post all to itself; yep another one for my TODO list.

BatIdeaLoop
A dangerous loop to avoid, finish things, iterate, iterate, iterate.

Thankfully one strategy that improves my odds of reducing problems is to lie down whilst dictating. Sadly this method only really works for my fiction writing, or when discussing a design idea out loud with myself, since I don’t need to keep looking at a screen. If I had the money, maybe I could setup a screen on a very adjustable stand. Or something outrageously expensive:

I am also doing a lot more around the home, as well as looking after my dad whose health recently has rapidly declined, all of which takes time and energy. Each activity is a chance for me to do a bit too much, and as per The Spoon Theory to run out of energy (spoons). I believe the fact I am doing what I’d previously consider to be pathetic levels of physical activity is the area that I have been badly estimating, but I am thankful that I am doing more in general.

I have blogged about The Bestseller Experiment before Writing Curious/Crazy Experiment; I am still thoroughly enjoying the show and will blog more about it soon. Word count is a subject that has been discussed a lot, and the many outstanding authors being interviewed have given great advice about this subject, which so many writers obsess over. So, even though I know about the arbitrary nature of tracking my word count, I still fall victim to it. I really appreciate Ben Aaronovitch’s advice, which is roughly that quality words are what matter.

Although it’s been a year since I wrote my mission statement for the blog, I haven’t changed my opinions for blogging, and what I am slowly building towards. Life still comes down to carefully allocating priorities. Although I’m not in a position to return to professional game design and writing yet, I am striving towards that goal even if my work rate is currently terrible. I was amused that the writer Max Landis, whose work I love, posted this video whilst I was contemplating this blog, and what to do about the days when I end up with a low word count.

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RPG Power of PBM: Social

This post about RPG and Play by Mail Games (PBM) continues on from the previous article RPG Power of PBM: Time.

When discussing PBM RPG, occasionally someone will be concerned that there is a lack of social interaction in such a game type. They envision a lone player reading something like a Choose Your Own Adventure, or Fighting Fantasy book. Even before the explosion in email access or the World Wide Web took off, PBM games were very social. Granted some players were playing a smaller game with none of their local friends involved, and they had to wait for a letter to arrive by post from other players. Whilst phoning someone was possible, back then the cost was off putting, particularly an issue for younger players; the further back in time we go the more likely players did not have telephone access. These days, none of these concerns are an issue, if you have access to email or the web you are good to go.

It’s understandable that some players of tabletop games, and in particular LARP, would assume that socialising is an issue in a PBM game. Consider how many people refer to the online world as not being real, there is just something detached about a lack of physical presence. This lack of face-to-face interaction does not prevent a PBM player from developing strong social ties. Besides curiosity, many games promote alliances, and given the strategising power of PBM, contacting other players is normal. Obviously other players are going to form alliances, and information gathering is vital.

Direct social interacting, face-to-face, whether physically or virtually, is not something everyone wants to do. There could be any one of a number of reasons, such as: illness/injury, bedridden, social anxiety, autism, and returning to the previous article’s point about time. Please don’t think of PBM games as being just for mental health sufferers, non-neurotypicals, or the disabled, this list just highlights another benefit of this game type.

During a tabletop game, and even more so with LARP, the emotional intensity and sense of connection can be quite intense. It may seem that PBM will lack this level, but just like with any other role-playing games, whether playing with others, or reading a turn result by themselves, players can still achieve emotional highs from succeeding or failing. Given the strategy aspect I previously emphasised, having a long-time ambitious plan succeed certainly provides an emotional high. Other players also tend to be interested in what is going in the game, so there are still plenty of chances to socialise with others and froth, as well telling friends about your latest game exploits.

The raise of the modern Massively multiplayer online (MMO) owes it roots to tabletop RPG, Multi-User Dungeon (MUD), and PBM. Within these games large number of players come together to form alliances, either to compete with other players, or the game world. Organising things with other players is a big part of the MMO genre: fleet co-ordination in EVE Online, dungeon raids in World of Warcraft, etc.

Coalition

As mentioned above, players were forming alliances in PBM games decades ago, and some professional games were quite popular. Playing a bigger PBM means more players to interact with, and this scaling of game size translates to more people to keep up to date with. The end result being a player can spend a lot of time communicating with other players, and this certainly addresses the query of socialising with a PBM. For some players they can be communicating with many players a day, all year, a level of socialising tabletop or LARP rarely achieve.

My first PBM game was Quest by KJC Games, which I eventually ended up running and redesigning as a moderated RPG. As a kid I had seen PBM adverts in the old White Dwarf magazine (Games Workshop), but the money I earned from my paper round went on RPG books and wargame models. Whilst at college I met some other gamers, and via these people I eventually gave Quest a go. Their Quest alliance consisted of only people they regularly hung out with, partly to keep in game information secure, and partly just because they were friends. Before a tabletop gaming session they often discussed their PBM plans, and this eventually resulted in devastating attacks on their enemies. When Magic the Gathering came along, the group would often bounce PBM ideas around whilst playing cards; fun times. I appreciate I was lucky with regards to joining such a organised group of players.

In the next article I’ll tackle a question I have been asked many times: “But how do you actually role-play during a PBM?”

RPG Power of PBM: Time

This post follows on from my overview of Role-Playing Game Types (RPG), and is another step towards finally publishing my role-playing guide. I think play-by-mail (PBM) is awesome, and despite what some claim it has not died out. To help justify my opinions on why PBM can be such a powerful way of role-playing (RP), I’ll explain some core aspects that form the essence of this type of gaming.

Over the decades PBM became an umbrella term covering more than just games played via a postal service. The term PBM has variations like: play-by-post (PBP), play-by-email (PBEM), play-by-Internet (PBI) or play-by-web (PBW). PBEM has probably been the most common playing method since the 90s. I prefer to use the PBM abbreviation as an umbrella term for all the types. Whilst PBM can be a way of running downtime for a tabletop group or Live-Action (LARP), I am focusing on dedicated PBM RPGs.

I’ve found that trying to explain what PBM is, by giving diverse game examples just complicates matters. Many PBM games have nothing to do with role-playing, such as chess or Diplomacy. Chess and similar turn based board games are easy to envision being played by post. Introducing a PBM RPG to a few role-players is met with confusion, their initial thought is that someone writes they rolled a 6, and then imagine a really slow postal conversation filled with tedious haggling about results, rules, and a line of character dialog. PBM games are generally a lot more sophisticated than this, and from a certain point-of-view RP is carried out in a similar fashion to a tabletop; more on PBM and RP later.

Batjutsu PBM Dice
PBM is not about sending dice by post, or “I rolled a 6!”

How long a PBM is played generally comes down:

  • Until a particular win condition is reached, like Civilization.
  • Until a set number of game turns are reached, for example a turn a week for a year.
  • A game could be open ended; some professional PBM games have been running for decades, and there are possibly amateur games with similar timeframes.

A game turn could represent a character’s day, a scene, an overview of a week, or a more abstract number of time units. The general idea is that only events of note are described. This applies whether a player is running a single character or vast empire, like Civilization.

A PBM game tends to work by providing a player an initial starting turn, the player then works out their orders that they submit in time for the turn deadline, and then wait for the turn result. A turn deadline could have any timeframe; many of the games I played or ran had a weekly turn deadline.

Anticipation for the results of my next PBM turn was something I always appreciated.

I think the key advantage of any PBM game is that they give you time to think about different strategies. This is why PBM Chess works so well, and has played for centuries. As one of the best-known strategy games, and a tool commonly used in movies to highlight a character’s intelligence, I think chess wonderfully highlights the power of PBM with regards to thinking time and strategy. Of course every type of role-playing game allows for some strategising, but with the vast majority of PBM games a player has the luxury of time to explore different ideas. Even for very knowledgeable and quick thinking players, having more time to think is beneficial, and most of us aren’t that reliably brilliant.

For many role-players, organising a gaming session is usually the biggest problem. This can be a major problem for LARP due to the number of players involved and the issue of booking a location, but this is still a common issue for a tabletop game, even if the players are playing online. As gamers get older this problem tends to increase, a player’s busy adult life makes it harder to allocate time to a gaming session; there is also the additional issue of an increased likelihood of having to miss sessions. Timeslot issues are rarely a problem when playing a PBM. A player can ponder game information and orders during quiet moments, such as when travelling, waiting in a queue, preparing food, et cetera. Players then just need a bit of time, usually a few minutes, to finalise their orders and send them off.

Next time, the power of PBM with regards to physical and social considerations, RPG Power of PBM: Social.

RPG Lessons From Watching Games 3

Part one can be read here, and then part 2 here.

This is the continuation of the story from part 2 about the time I watched a Vampire the Masquerade game in the 90s. Over the course of the gaming session my friend asked me several questions, some were rules queries, and some were requests for feedback on ideas he was pondering. I politely reminded him that it was not my game, nor did I know the house rules, so even if I quoted the rule-book it wouldn’t matter. My friend explained that he’d only asked me questions so he could bounce ideas around; he only did this when the Storyteller was busy with other players.

The person running the game did not complain, instead choosing to focus on running the game. I am sure my friend’s actions were a bit distracting, but my friend was not trying to ruin the game, and had been considerate in regards to quietly chatting with me whilst he was waiting for his turn.

The game was good, and thankfully nobody seemed annoyed by my attendance. I thanked the Storyteller, and apologised if my presence had been disruptive, he said it was fine; I had sensibly turned my Presence discipline off. To my friend he then said:

“Next time, leave your pet Storyteller at home.”

On the walk back to my friends we had a good laugh about me being his pet Storyteller. He expanded his previous explanation, to help explain why he did not view his actions as being disruptive. He thought by bouncing ideas off me, he was helping to keep the game flow, so he could speed up his interactions with the Storyteller, since besides not having to check rules he could additionally have his ideas developed. I appreciated that his goal was to be more efficient, and to take up less Storyteller time, which was in theory commendable.

The lessons of note:

1) Ask about deviating from the group’s normal playstyle

I think my friend should have asked the Storyteller before the game started, if it was okay to discuss ideas with me whilst the Storyteller was busy with other player. It could be distracting to some, especially since the person running the game obviously has an opinion on rules queries, and it could be viewed that having an external person agreeing about how things could work is a form of ganging up.

One of my common answers to questions about how best to handle things in a group is whatever the group’s preference is. Despite what some may think, there is no perfect playing style, so therefore the opinions of the members of a gaming group are what matter, not those of an evangelising article written by somebody that is not involved.

Upon reflection, after the initial query by my friend I think I should have added “It is not my game, maybe ask the ref if they are okay with you involving me.” I guess I didn’t to minimise my impact on the game, I thought what I had said would have deterred my friend earlier.

Batjutsu Pet DM close
Batjutsu Pet DM/GM

2) Perception of fairness still matters, even in co-operative games

This may initially seem like a strange thing to mention, since role-playing games, especially tabletop, are co-operative not competitive. In a game part of what is always involved are the feelings and reputations of the participants, since nobody likes to be seen as foolish, or less important.

Consider that if one player is receiving a private peer review before they discuss ideas with the Storyteller, then their ideas might be better on average than others, leading to all sorts of potential gains for them in game, such as resources or implementing clever plans over enemies. Over time another player might become resentful at this sort of special treatment. The point is to be aware that even something as small as this can have an impact, and thus it can affect others; after all if it was not worth doing, then the player asking wouldn’t be doing it. This issue is likely avoided if a group regularly discusses ideas, and even an individual player’s action, thus everyone’s ideas gets a chance to be discussed.

3) When to tackle concerns

I think the Storyteller handled the whole thing well. They did not become emotional at what could have been deemed as disrespectful. I appreciate that whether the incident counts as disrespectful is subjective, my friend certainly didn’t mean to be, and saw an opportunity to help the game. A DM/GM/ST will consider whether something is going to escalate, and thus some things may be deemed as needing sorting out as soon as possible. Although often patience and respect for others will reveal that there was not going to be an escalation, and confronting a tiny problem could make it become major.

Batjutsu Pet DM dice
Batjutsu Pet DM/GM

An extra bit of the anecdote is that once we got back to my friend’s place, we continued a solo Vampire Elder game we had been playing for the last week. Elysium: the Elder Wars had not long been out, and as long-time Vampire players it was interesting to explore the mind of a much older Vampire. The relevance of this is that week of playing an Elder vampire lead to my massive Methuselah campaign roughly a year later, and from that to my 16 player Night City campaign.

Due to this being a busy month, #CampNanoWriMo and I am also getting ready to play-test a boardgame I have been working on. So I will write about the big games next month.

RPG Lessons From Watching Games

At 16 I spent a lot of time visiting my local gaming shop. Due to this I got to regularly chat with the staff about gaming, often helping boxing up train or tram kits; it was a rite of passage. Being at the shop also gave me access to lots of other role-players, and particularly GMs. Thus I gained exposure to a wide range of opinions, about all sorts of games; in the early 90s it was rare for people to go online, so this was the best local place to go.

Occasionally a group would leave an open invite at the shop for a new player, or an individual seeking a group. So I made use of the invites and tried out several groups. It was a great way to try out different games, as well to hopefully become a regular in yet another great group. One of the groups I joined suggested that I just watch, which I initially thought was odd, since it’s normal to join start playing immediately. Why watch a game when you can play? This particular GM said it was a chance for me to see if would enjoy being in the group, without disrupting the existing game.

Being an observer at a game was surprising. Despite all chats I’d had with different people, playing with different groups, as well as reading articles, I hadn’t considered what watching a game could teach me. Nowadays with some groups filming their gaming sessions, and in particular popular celebrity groups, it has become easy to watch games, but back then it seemed alien. Whilst the celebrity gaming videos are focused on entertainment, not on education, they could still prove useful to someone wanting to analyse them.

d6

As an observer I had a chance to perceive things in a different way, since the situation was impersonal I was able to strive to be more analytical. One of the first things that struck me was that since I didn’t know any of the group, and thus their anecdotes, I found it extra annoying when a player disrupted the game to mention random things. Doing so is generally referred to as going Out Of Character (OOC), although I think OOC is a misleading way to phrase the issue; my opinion likely requires some clarification, so I’ll write about that another time.

I got to see how the group handled focusing everyone back on the game. It was surprising, to my young perception, how often individual players helped the group to refocus on the game. Even though I knew that my players sometimes helped my games out, I had thought I was predominately the one refocusing the group back to the game.

Confirmation bias is funny like that.

Since I was not invested as either a player or GM, I got to watch a bunch of strangers energetically chatting and unwinding. Because I did not have to think about running a game, or how I’d play my character based upon some new stimuli, this allowed me to track their levels of fun. Even when a player was going OOC for quite a while, the group didn’t complain; likely due to the difference between school kids and adults. Whilst I am sure my presence influenced the players and the GM at least a little bit (Hawthorne Effect), I don’t think it was overall an issue. Mainly because I kept quiet, but also because the GM had done this with their group before. Finding that balance of how to prioritise the game whilst hanging out and relaxing friends was something this group seemed to have found, they were not pretending for my benefit.

During my first few years of GMing, at 11 and 12, I had it often felt that I needed to quickly get the game back on track. The idea was driven by concern that the actions of one or two players would become too disrupting for others, and thus risks annoying the others. A major reason for my thought was due to trying to cram as much role-playing as possible in to my lunch break whist at school; I wrote about those sessions here: Role-Play meets Lord of the Flies. At 14 I was running Warhammer with a different group of players in the school library. Later in 1990 we changed to Cyberpunk, and I started running day long sessions. Whilst we had long periods of keeping IC during the 10+ hour sessions, we did have OOC tangents, but they were uncommon.

This links to another lesson about not being as self-conscious when running games, as well as to stay relaxed when being observed by others. This would prove helpful when later running games, be it tabletop, LARP or PBM, as well as talking to customers. As well for games when I’ve had a player observing.

For the next blog post I’ll write about another lesson I learned whilst at another group I watched. Part 2.

RPG Lessons From Watching Games by Batjutsu

Your RPG is Yours, Not Mine

As I started writing about the two role-playing campaigns that helped me get a job as a Games Master (GM), I realised that some readers might take exception to me claiming I ran a complete, or united, World of Darkness games. The old World of Darkness was not designed to fit neatly together, and for years crossover rules were non-existent. I don’t recall when the first official guide was released, possibly The Chaos Factor in 1993; it could be argued a guide was needed since Samuel Haight had caught the attention of so many different supernatural types. I don’t count the 1993 release of Under a Blood Red Moon, as it was Vampire and Werewolf focused. These guides were quite lacking, being more suggestions of things to think about, but at least it was something. I found my own path in fitting things together, and things worked well enough for me in some complex games.

With Paradox Interactive’s purchase of White Wolf IP, the World of Darkness (WoD) labels have been changed. The old(oWoD) is now called classic (cWoD), and the new(nWoD) from 2004 is now called Chronicles of Darkness (CofD).

My article’s title is to emphasise that I do not claim to represent the ‘only way to play the World of Darkness’, nor how crossover rules have-to-be done.  To some readers it may feel redundant for me to clarify my reasoning, but from personal experience I’ve met enough players that fixate on this, as well as reading numerous posts on the Net, to really impress upon me that a clarification is important for many gamers. Although this issue particularly applies to the cWoD, it also applies to every other RPG when we get past the gaming group level.

white-wolf-publishing

I have had a lot of experience with this topic, whether locally, at game conventions, or Live Action Role-Play(LARP), so I appreciate why it is an important subject for a lot of role-players. In my late teenage years I changed my phrasing to emphasise “I prefer”, or “in my games, I feel”, since I appreciated that it was a subjective topic, never mind that some people want to win the chat. Add to this that it’s all too easy to end up talking at cross-purposes as people fail to mention they are not emphasising an interpretation, but they have ventured in to house-rules, or changes to the setting; it’s understandable if you consider how over time it is easy to forget the list of tweaks carried out. I am reminded of common role-play encounters, which I’ll write about and link here later.

Obviously people having different opinions should not be a surprise, since it happens with practically everything. Crucially the old White Wolf company repeated the point that each game belonged to the players playing the game in each of the core rulebooks, as well as elsewhere. This covered everything, whether it was an opinion about the mechanics to the game’s setting, covering everything from cosmology to theme emphasis. So it could be argued, that between the game lines being designed without a focus on connectedness, and the rules promoted debates because of The Golden Rule:

“This game should be whatever you need it to be…”

I appreciate the Golden Rule is abhorrent to some role-players, but that is too big a topic for this post. I go in to detail on this topic in my role-playing guide.

I do appreciate why standardisation matters, and I am all for it for specific situations, since talking at cross purposes is a time sink and can balloon up in to bad blood. It can be bad enough when a new player joins a group, but this is a much bigger problem when at conventions, or large LARP. Years ago I used to play continuing convention campaigns like the Dungeons & Dragons Living Greyhawk, D&D Sarbrenar (Forgotten Realms) and later Living Force (Star Wars). Roughly: you played the same character at each game, earning XP, being part of loose collection of connected stories with other PCs that over the years you may play with on multiple occasions.  Those games were quite accessible, in large part towards having an emphasis on clear rules interpretations. There were a lot of players that had been playing together for years, and overall I found there were a friendly community; the opposite of the anti-social label role-players are often labelled. Directly related to the point of this blog is that at conventions I found players only really cared about games they are involved in, they are rarely interested (if ever) in the anecdotes of another random player.

There has already been plenty of debate about how the new One World of Darkness could work, as well as how some people think it should work. Since very little is known, it is understandable that people are passionately debating. After all so many players already have invested years in to the official three different versions: old, new, Monte Cook’s WoD. Also we should keep in mind the experience of so many WoD LARPers, they have been a major part of the WoD scene going back to Mind’s Eye Theatre in 1993; an important point when you consider Martin Ericson’s LARP passion and experience.

Returning to the article’s title, no matter what happens with the oWoD make it ‘Your World of Darkness (yWoD)’. Personally I am not worried about the future of the World of Darkness, and whilst I am somewhat impatient to get specific information about the One World of Darkness (WoD), I am not panicking.

ywod

Humanity has been repeating and altering stories since the dawn of civilisation, from simple tales to epic myths. In addition to retelling the ancient classics, consider the countless versions of Shakespeare’s work alone, or the comics-industry’s obsession with reboots and alternate realities. So it is normal human behaviour for role-playing to be receiving the same treatment via new editions, and even complete cosmology redesigns. Since there are already different versions of the World of Darkness, I have no issue with having something new to explore, again. Following on from this is an often cited opinion about the importance of legacy. Personally, I find debating the legacy of things to be odd, more so when the logic involves highlighting different predictions as part of any rationale. I don’t feel that my past experiences are invalidated, and certainly not by alterations to a product after the fact.

Even if you don’t like a version, tweak it, borrow from it, and let your passion guide you to new inspiration. After all creativity is a key aspect of role-playing, welcome the freedom.

5 Positive Role-Play Lessons

Continuing on from the previous articles that started at https://batjutsu.wordpress.com/2016/03/19/cyberpunk-rpg-and-crpg-style-and-substance/

Julian, the Dungeon Master from the high school lunch group I was in, introduced me to Pete I think in 1989. I’d been buying Skaven figures off Julian, painted by Pete; even whilst at high school Pete was a great model painter.  I don’t recall specifics about my initial conversations with Pete, but I do recall that they were relaxed and that it was easy to have a dialogue with him, as opposed to him dictating at me like the other older lads did.

Cyberpunk 2013

1 Explain what something is, not its competitors

Pete explained the Cyberpunk setting well, and I don’t recall him saying bad things about other gaming systems. I grew to appreciate how important that is, focus on what a product is, not on differentiating between its rivals.

Over the years, I’ve been regularly asked questions by experienced role-players about a new game, and they would often ask for comparisons to systems that they already knew. Since I was being explicitly asked to compare, I did so. Whilst comparisons can work well, speeding up the learning curve, but deviating in to negative critiques of other products, all too often results in a time sink that needs further clarifications. Not only because it requires people to know other systems, but also for them to understand what comparative point you are trying to make.

I have grown to understand that people are inclined towards defending how they’ve spent their time, it’s natural for people to feel they are being criticised for their choice of game system and setting. This is particularly magnified if they love said system. This topic can have the additional obstacle as it is common for gamers to discuss their idea of ‘the perfect system’. Perfection is something to aspire towards, whilst being an illusion, and even getting close to such an ideal would be at best just personal preferences. Thus, conversation points are all too easily mixed together. Additionally, I often found that as more points are raised, eventually the original question can get lost amidst overwhelming information.

The above reasons are why I have found focusing on comparisons to be a poor approach. Of course it can still prove to be an effective way of explaining things, but I’d suggest mentioning as few as points as possible. These days I try to focus on more positive aspects, and to stay on target: explaining what a setting and system’s focus is, and its pros and cons.

2 Give things a try

Until 1989 I had mostly played 1st Ed AD&D, it had been overall great fun, but the games were focused on clearing a dungeon room by room, stat development, without much thought about the setting. One of the fascinating things about playing Cyberpunk 2013, was the emphasis on characters talking and stand-offs, trying to navigate prolific corruption, in a game world full of people in bad situations. With no clear indication of who was good or evil, the fact that so many people were armed and dangerous, added to the finality of combat, it was great to have a reason to talk first, but with the pressure of talking fast.

After the chaotic experience I’d had with my old AD&D lunch group, were choice and repercussions were often disconnected, this game was well run. This was down to the combination of being in a good group as well as having a good referee. This is a lesson I have appreciated ever since, play in games you really enjoy, I had the luxury of trying out so many different groups. Years later I played great D&D games that also focused on more mature plots, it helped not being kids at school, which once again highlights that the group is the big factor in what makes a game.

Don’t be afraid to chat to the group about their play-styles. Try things out, and negotiate about balancing your goals with the other players. If you don’t reach a satisfactory compromise then consider moving on. Since fun is the heart of gaming, don’t torture yourself, or others.

3 Walking through the rules

Pete ran the games well, we enjoyed ourselves, and I can recall some great moments even now. We were not required to become experts of the rules, and certainly not within a single gaming session. Yet despite not being rule experts, the initial several sessions still went well. The lesson I took from this links back to mentoring, which I’ve written about previously. Even if you are playing a simple gaming system, try to introduce the rules in parts, reveal the complexity at a rate the players can cope with. Determining how much is too much is a subtle skill; I’ll explain my opinion another time.

Generally I think it is better to introduce things a bit slower, than to overwhelm players. Context is a key part of understanding, and it is hard to provide any depth during an introductory rules overview. Look at how come board or card games introduce rules over time, for example Dominion ignores curses at the start.

 

Night City 2013

4 Letting Go

My first character was a Solo called Thermo, a cool streetwise mercenary with a minimalistic appearance, cliché but fun. Since I knew practically nothing about the setting, never mind the fact that I was just 14 years old, I went with the idea of the character being the strong silent type. Thankfully it worked well enough, and also helped me learn the game system, whilst helping me to role-play what I had designed.

Similarly, my friends played interesting characters, a few I can still recall even to this day: Black Rain, Jack Deth, along with an NPC Netrunner whose handle was The Idol. Unfortunately I forget the name of the Fixer played by Michael. This is odd since after playing for a while, Pete proposed Michael and I swap characters, since Michael had been playing his character more like a psychopath; not sure the reason Pete didn’t have Michael make a new character, I think it was simply it was quicker to swap.

Within a single gaming session Thermo, my old character had undergone a massive change. The character now had a red Mohawk, painted the back of his leather jacket to show a nuclear explosion surround by lot of flames, with ‘Thermo’ painted across the jacket top. The character was also now quick to resort to gun diplomacy. It was odd seeing my character played this way, but Michael was enjoying himself, so I didn’t tease or correct him. After all I had agreed to the swap, Pete was okay with Michael making the character his own, and I found playing something different to be fun. Crucially Thermo was his character now, I learned to let go.

5 PC Allies can help, just don’t let NPCs take over

Early on the party went to a gun shop, but things quickly got out of hand. Black Rain and Thermo decided to chat with the person behind the security door. I’ve forgotten the specifics, but somehow the confrontational chat quickly escalated. Finally a demand was made for bullets, so a gun was pointed through the security slit at Black Rain, who quickly used his poison dart in his cybernetic eye. Then attempts were made to shoot through the door; this went on for a several seconds, as gun fire was exchanged between someone in the shop and the party, but then this stopped.

Thermo then decided to try breach the door with a fragmentation grenade. The thing was that Black Rain was still near to the door, and not wearing armour; besides a frag would likely do nothing to an armoured door. Luckily Black Rain was warned of the grenade, and passed his dodge roll. The party members took a moment to look at each other and contemplate killing Thermo, but we didn’t. Time passed, nothing was happening, the shock at the escalation oddly hit everyone, and the party become unsure of how to proceed, some still wanted to break through the security door, others wanted to leave before in the CyberPsycho squad had been called.

Finally Pete suggested we could call The Idol, since he was one of the party’s allies, and was close by. Once he arrived he operated as a cleaner, and so momentum was returned to the game. This was handled as calling in a favour. Crucially The Idol didn’t take over the situation, instead aided, and then as we all high-tailed it, he returned to his own plans. We owed a favour, but the party got a bit of mentoring in game without being made to feel like they were the sidekicks to an awesome NPC.

There is another lesson that I took from this game, but I will save that for a longer piece.

Over many sessions the group somehow managed to get things done without drawing the ire of the Megacorporations. But I’ll be honest and admit that I’ve forgotten a lot of what else occurred in the game, it was just too long ago.

I mentioned that Pete was great at model painting even at high school, so it was no surprise that he went on to become a professional artist and teacher. He runs Egg Head Miniatures, check out his work at https://www.facebook.com/eggheadminiatures/ and his shop is at http://stores.ebay.co.uk/eggheadminiatures.