Gingerbread and NaNoWriMo 2017 p2

Continuing on from my previous post about the Gingerbread competition.

I successfully sent my entry for Gingerbread’s ‘One in Four’ before the deadline, which involves Trapeze Books (part of Orion) and The Pool UK. I received a confirmation email a few minutes later so thankfully my paranoia was somewhat alleviated, not entirely of course. Whilst the book is not complete, I’ll take finishing the competition portion as completing something 😉

In 2016 I entered the Richard and Judy book competition. Whilst I managed to hit the deadline, I also disliked writing it. The story was about a family recovering from losing a child in a school shooting, and I simply didn’t enjoy writing it; no surprise given the subject matter. Part of the reason was that I was still massively struggling with my health then. This Gingerbread story is different, after struggling to get going and keep momentum I started to enjoy things. Also, considering how much effort I’ve put in it would be silly to put it on hold. So the plan is to split my writing between my fantasy social services setting, non-fiction work on my role-playing guide, plus continuing this Gingerbread ‘One in Four’ tale.

A shout-out to my editor-extraordinaire Damian who also said the story so far was good. His feedback gave me a lot of confidence as I was going through my final tweaks and proofreading. Damian has helped me many times over the years, from helping me edit my rulebooks when I worked at KJC Games as well as several fiction writing projects; his eye for detail is impressively high.

I plan to resume posts about my Gollancz Festival 2017 experience next.

Advertisements

Gingerbread and NaNoWriMo

As my health has improved this year, I have made substantial progress with several of my projects. Like so many creative types, sticking to a single project is a struggle, so it was a mixed blessing when I heard The Bestseller Experiment interview in September announcing the Gingerbread competition: One in Four. The deadline is the 4th of December, and I’ve spent the majority of this November’s NaNoWriMo focused on that project. It’s been quite an emotionally demanding endeavour, reflecting upon distant memories, as well as talking to several people about their single-parent experience. Based upon these conversations, and my own reflections, I made a list of keywords to highlight commonalities.

As I’ve mentioned in a previous post, I had been working on a character in my fantasy setting who is a single-parent. I debated whether to make this character in to the protagonist, and since any genre is allowed for the competition, it would make sense to keep writing within the same fictional universe. Whilst some fantasy has mass appeal, it is rare, so in the end I decided to write a story set in modern day.

Given all the work I’d done, it was still a surprise to discover that I had problems working out a single story. After abandoning several outlines, as well as several pages that I just started writing without an outline, I decided to start writing about my own experience; I could always change details once the work was done.

By the time November started, and thus the start of NaNoWriMo, I had a collection of impressive waffle. At least this approach had provided me with several scenes and some dialogue that I did like; one cannot rewrite nothing. Despite my health declining again this month I was still able to persevere through the pain and stress. I successfully outlined a fictional story inspired by the experiences of myself and friends that I actually liked, being more than just a mix of our lives. I have since written a lot, but only tweaked the outline in small ways, a good sign that this story will stay on track and be completed. I still have a few more days with which to tweak what I plan on submitting, as well as receiving feedback from friends. Surprisingly, given how self-critical I am of my writing (like many people), I am quite optimistic about my chances with this competition.

GollanczFest 2017 part 5

This continues on from my first post about the Gollancz Festival 2017.

The panel was called: Where Do You Get Your Ideas? Art, Music, Mythology & Magic: The Inspirations Behind It All. An intriguing but also simplistic query, after all writers can draw inspiration from anywhere, and I’ve often heard the expression: ideas are cheap. Personally I don’t quite agree with that expression, granted simple ideas/hooks are easy to think of, but great ideas are rare. On the surface it’s a simple question and whilst many people would likely give predictably simple answers, professional authors can have intriguing insights.

The panel was moderated by Gillian Redfearn (Publishing Director) and featured: Bradley Beaulieu, Tom Lloyd, Suzanne McLeod, Mark Barrowcliffe and Tom Toner. What occurred was an amusing back and forth, and whilst all of the authors were interesting and witty, Tom Toner had me struggling to restrain my laughing. I present a summary of comments, several of which I had forgotten who’d said them, but at least checking Twitter partly helped.

Gillian asked where the authors find inspiration, what it means to get ideas and write genre fiction. Later she asked: what’s the worst thing your character has ever done to you?

Bradley Beaulieu highlighted that plotting can only go so far before needing to get into the story. He gets endless inspiration from the entire story, especially smaller characters and the world/setting itself. Bradley provided the all-important writing reminder and an important reality regarding the muse: it all comes down to writing, and sometimes the muse hasn’t turned up, yet a writer still needs to write.

Mark Barrowcliffe discussed how inspiration doesn’t always come from the writer. Sometimes it comes from the writer’s take on other people’s ideas. An example is made regarding how common knowledge about things can change, consider that werewolves weren’t actually affected by the full moon in lore, it was invented by Hollywood in the 20th century.

Tom Lloyd said he gets his inspiration from thinking on the tube, mainly because he doesn’t want to make eye contact with strangers. He also explained how a good story sparks off other ideas, the bad ones will start to fizzle out.

Suzanne McLeod described how things come into your story out of your subconscious. New characters that aren’t planned can be the best, and a lot of fun can be had with them.

Tom Toner took a different tact with his answers, such as inspiration: “2 cups of coffee, stand in the shower… f**ktons of ideas!” Later Tom touched on his mascara fetish. As for characters: “God I hate writing characters, they’re so needy” and “I just wanna describe cool planets and cool stuff and monsters on the planet…characters get in the way.” Tom did expand on his replies.

Other comments of note were about how characters take over books, and how writing into the gaps of a story can reveal new things, to go exploring. Overall I thought the panel did a good job of discussing a difficult subject to provide depth on, especially without resorting to listing of things like: I read history and <insert Country> mythology, or I adore <book series>.

So ended the morning session. Next for me was a chat with Mark Stay and lunch.

A bit more progress on NaNoWriMo for me in the last few days, sadly not as much I’d like but when health dictates work rate, it’s best to not fight it #HealthyWriting. I’m still on target for the Gingerbread competition deadline, but I appreciate it’s important not to assume it’s guaranteed.